[22] Cheerful
[17] Dramatic
[88] Gentle
[15] Invigorating
[15] Sad

156 Scores

78 Releases

486 visitors 3,724 visitors 13,159 visitors 24,980 visitors
1,582 hits last 24 hrs 10,535 hits last week 38,002 hits last month 92,941 hits


This site and music belongs to Rosie Williams. For background on Rosie, check out RosieWilliams.me

The site now contains all my original scores, public domain classics (both for free) as well as links to my arrangements of cover song instrumental tracks which are copyright to their respective rights-holders and so can only be published for a fee through music publishing sites.

Rosie does not use AI in any aspect of her music-making and does not provide permission for my tracks to be uploaded to AI sites.

To see the full list of all scores starting with the most recent see this link.

You can download these scores as Musescore files in a single folder from Google Drive: or download single scores by clicking on the button with the notes flying out , or the button for PDFs.

Scores for my original music have been created and saved in Musescore version 3 and quality of the sound may vary if played in Musescore 4.

Take all markings as suggestions and make your own personal choices as to what works best for you as they are tailored to sound good in Musescore rather than live performances.

All files of my original compositions are free and there is no sign up for download. For these original scores licence terms apply to both Musescore files and PDF files:

You can download the .mscz files and change them to suit yourself. You can print as many copies as you need for your own group. You may publish your own arrangements but you must credit Rose-Marie Williams as the composer and yourself as the arranger. Music publishing sites, including Musescore may not allow you to publish arrangements of my original scores as there is no arrangement in place between myself and music publishers providing permission (as there is with mainstream artists).

You can use my music in any format for educational use, publicly perform it and share it with your group for these purposes. You may not sell my scores and you may not upload my music in any format to Artificial Intelligence websites. If you're in doubt about something you would like to do with my music just email me at rosie@musicalescapism.com :-)

A small number of scores have been recreated from public domain classics, appearing in the playlist Creative Commons Classics. These are licenced CC4.0.

MusicalEscapism.com now also includes information about my arrangements of popular cover songs in the playlist Creative Covers. All covers remain copyright to the original rights holders. Because of this, these scores can only be distributed through SheetMusicDirect, SheetMusicPlus or MuseScore. Links to individual scroes are provided where available.

Published 17th Mar 2026

Leveling the playing field using Musescore and Braille Music

See the music world through the eyes of the blind

In 2025 I made important changes to musicalescapism.com, overhauling of the way information is presented by sorting content into tabs, making it clearer how to filter scores in different ways.

I also introduced direct access to Musescore files of every original and creative commons licenced score. This big change came about after I was asked about providing Musescore files on Reddit to a vision-impaired user.

This seemed a fair request so after some thought I decided to go ahead with this, especially that given users of all stripes can use the latter to perform with, muting whatever instrument they are playing while letting the other voices play aloud.

In addition to playing the music for you so blind users can learn by ear, Musescore files can be exported as XML files which makes them compatible for use with Braille music software. Braille music programs create a file that can be printed onto heavy paper by braille embossers to create the raised bumps that blind users read.

Additionally, MuseScore 4.1+ offers native Braille support, allowing users to view, export, and input music in Braille format.

The following video demonstrates how blind musicians read braille scores.

As a (lapsed) member of the Amateur Chamber Music Society, I still get 'Tutti', the organisation's magazine. Through this I've learned there is an annual music camp for braille users held at Frensham in Mittagong. Founder of these camps, Roma Dix talks about why she and husband Ian Cooper founded these extraordinary camps nearly forty years ago:

You can also watch the Australian Story episode, 'Blind leading the blind' about two remarkable blind musicians who grew up attending Braille Music Camp and went on to creat the world's first open source screen reader.

In addition to providing direct download of each Musescore file individually, I've also combined all the Musescore files into a single folder and provided a link under the 'Instructions & Terms of Use' dropdown where users can download the files as a set.

I should include a qualification about the quality of the Musescore virtual instruments. I noticed a large difference in quality between Musescore 3 and Musescore 4 versions. I found the Musescore 4 virtual instruments were so quiet I had to put ff (double forte) on each one and the quality was nothing like the rich tones that I had relied on with Musescore 3. When these scores were opened in another version the dynamics were obviously off because of this. As a result of this I went back to using Musescore 3. I can't guarantee the quality of instrument outputs if the files are opened in a version other than Musescore 3 and please take dynamic markings as only suggestions as they are for what suits Musescore not real instruments.

Licence Terms

All files are free and there is no sign up or other requirements for download. There are however, licence terms which apply to both my Musescore files and PDF files:

You can download the .mscz files and change them to suit yourself. You may publish your own arrangements but you must credit Rose-Marie (Rosie) Williams as the composer and yourself as the arranger. Musescore.com may not allow you to share these files as they are copyright to me and there is no arrangement in place between myself and Musescore.com to pay royalties for their use (as there is with many record label representatives).

You can use my music in any format for educational use, publicly perform it and share it with your group for these purposes. You may not sell my scores and you may not upload my music in any format to Artificial Intelligence websites. If you're in doubt about something you would like to do with my music just email me :-)

I hope people find something they enjoy among my scores. I can be contacted at rosie@musicalescapism.com if there is something that people think I should be made aware of in relation to accessing scores.

If you do use my music, feel free to let me know and I can blog about it and link to your efforts.

Performance notes: please take all markings as suggestions and make your own personal choices as to what works best for you.

A note about Musescore

Visitors to my site may notice that I have had a very bad experience as a Musescore.com user where I was overcharged hundreds of dollars! While I did eventually get most of what I was erroneously charged refunded to me, I am no longer willing to give them access to my card information for any reason as the risk of false charges is one I am no longer willing to take.

Latest Arrangement 30th Mar 2026

Available CC0 as

Adagio from Moonlight Sonata by Beethoven

Composed by LV Beethoven; Arranged by LV Beethoven
CC0

Challenging Solo : Piano
Appears on Creative Commons Classics Playlist




My debut trumpet EP - what went right, what went wrong


Published 29th Jan 2026

The adventure of my first cover song EP, from recording to getting them onto the streaming platforms.

Today marks a huge milestone in my musical endeavours. I have released my first trumpet recordings. I've also published the backing tracks created for each track on YouTube so other musicians can ...   



Book of Easy Piano Solos


Published 23rd Jan 2026

Highlighting my book of easy piano solos

piano, solo Chameleon, Hold My Hand, When Tomorrow Comes, After the Long Day, Let it Be, Floating, The Gentle Night, The Last Rays of the Day, Reconciliation, The Way Requiem for a lost planet, Rever ...   



Interview with Michael Chambers


Published 23rd Oct 2025

Find out what it takes to break into and survive in the Australian music industry

As a requirement of my TAFE course in music performance I have interviewed industry professional, Michael Chambers to share knowledge of what is important to get right when you're entering or survi ...   



Musescore has been emptying my bank account


Published 4th Sep 2025

Crazy charges from Musescore have cost me a fortune

Musescore is a website built for storing and sharing musical scores created with the free software of the same name. The software makers have no ties to the score-sharing site apart from sharin ...   



Government poised to betray creators in AI copyright grab


Published 30th Aug 2025

Tech bros want us to pay for their free lunch

The first notion I had that the music industry is about to be hit by a tidal wave with the potential to destroy livelihoods was when I logged into my music distributor dashboard after a long absen ...   



Going viral on TikTok and no idea why


Published 26th Jul 2025

A look at what happens when you go viral on TikTok

I've only recently gone back into doing my music. A couple of years into my composing efforts, I'd gotten distracted by other things. A few weeks ago I decided to check back into my distributor's das ...   



The Story Behind Bin Chicken Banter


Published 16th Jul 2025

The Bin Chicken is as Australian as Bluey. I wrote a piece to honour their place in Australian culture.

I recently released an album of brass band/ensemble pieces, including the track titled 'Bin Chicken Banter. Considering much of my audience is from outside Australia, I thought I should explain what a ...   



The story behind Antarctica


Published 10th Jul 2025

This blog post follows the story of my piece Antarctica from duet to chamber orchestra.

If you are at all familiar with my scores you may have noticed that there are usually several arrangements of the same piece. Writing for the general public chamber groups is very much a hit and mis ...   



The difference between mixing and mastering


Published 5th Nov 2023

An overview of the different roles in making music

I haven’t blogged for a while so I thought I’d get back into things with a blog post about the difference between music composition, production, mixing and mastering. These terms are closely related b ...   



A look at the benefits and questions raised by composition competitions


Published 30th Jun 2022

Composition competitions, are they worth it?

As a fledgling composer I have had the joy of experiencing many things for the first time over the past 18 months. One of those things is entering composition competitions. Not long after I beg ...   



How realistic orchestral tracks are made


Published 10th Aug 2021

A basic intro to how composers create realistic orchestral music without an orchestra.

Since I published this blog post, I have gone on to write and produce multiple tracks for orchestra as well as several commissions for chamber groups for members of the local Amateur Chamber Music ...