[23] Cheerful
[17] Dramatic
[83] Gentle
[13] Invigorating
[13] Sad

148 Free Scores

72 Releases

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This site and music belongs to Rosie Williams. For background on Rosie, check out RosieWilliams.me

To see the full list of scores listed starting with the most recent see this link.

You can download the full list of scores as Musescore files in a single folder from Google Drive: or download single scores by clicking on the button with the notes flying out , or the button for PDFs.

Scores have been created and saved in Musescore version 3 and quality of the sound may vary if played in Musescore 4.

Performance notes: please take all markings as suggestions and make your own personal choices as to what works best for you as they are tailored to sound good in Musescore rather than live performances.

All files are free and there is no sign up or other requirements for download. A small number of scores have been recreated from public domain concertos. These are licenced CC4.0. For my original scores there are licence terms which apply to both Musescore files and PDF files:

You can download the .mscz files and change them to suit yourself. You can print as many copies as you need for your own group. You may publish your own arrangements but you must credit Rose-Marie (Rosie) Williams as the composer and yourself as the arranger. Musescore.com may not allow you to share these files as they are copyright to me and there is no arrangement in place between myself and Musescore.com to pay royalties for their use (as there is with many record label representatives).

You can use my music in any format for educational use, publicly perform it and share it with your group for these purposes. You may not sell my scores and you may not upload my music in any format to Artificial Intelligence websites. If you're in doubt about something you would like to do with my music just email me at rosie@musicalescapism.com :-)

Published 5th Nov 2023

The difference between mixing and mastering

An overview of the different roles in making music

I haven’t blogged for a while so I thought I’d get back into things with a blog post about the difference between music composition, production, mixing and mastering. These terms of are closely related but they are not the same thing. If you are working on your own then you have to apply all of these skills, a demanding and often tricky process.

There’s only so much we can control as individual musicians working on our own. We might be limited to the virtual instruments (or real performances) we can afford to purchase to create our own track as well as our knowledge of how to use the DAW. A DAW is a Digital Audio Workstation and is where the tracks get recorded and blended with all the other instruments that go into laying down a single track.

Production is the responsibility for the overall sound including decisions like whether you will record live musicians (if funds permit) or whether you will use virtual instruments. Mixing is when you decide how to blend those different instruments into a single track, including raising and lowering the volume for each individual instrument so the right parts can be heard at the right time. Mastering is more of a finishing process where decisions about whether the whole mix should sound like it’s in a big echoing room or whether it sounds like a small studio recording with a more flat sound.

The easiest way to grasp the difference beween production, mixing and mastering is to think about the difference between a school band playing a piece of music and the same peice of music played by a professional orchestra. The difference in the sound (due to limitations of skill, instrument etc) in the school band will mean the piece may sound quite different than the expert performance of the orchestra.

While the piece of music is technically the same piece of music, it is likely to sound quite different. This is imporant when it comes to judging someone’s ability at composition because without access to professional musicians and recording spaces, the original composition is going to be judged on what may be a very limited production. This can be quite frustrating to a beginner composer as you hear mistakes in the performance, mixing or mastering that have nothing to do with the original score.






My debut trumpet EP - what went right, what went wrong


Published 29th Jan 2026

The adventure of my first cover song EP, from recording to getting them onto the streaming platforms.

Today marks a huge milestone in my musical endeavours. I have released my first trumpet recordings. I've also published the backing tracks created for each track on YouTube so other musicians can ...   



Book of Easy Piano Solos


Published 23rd Jan 2026

Highlighting my book of easy piano solos

piano, solo Chameleon, Hold My Hand, When Tomorrow Comes, After the Long Day, Let it Be, Floating, The Gentle Night, The Last Rays of the Day, Reconciliation, The Way Requiem for a lost planet, Rever ...   



Scores now available in Musescore format


Published 30th Oct 2025

I've just completed an overhaul of the site to make it simpler to use and introduced access to Musescore files.

I've recently made important changes to musicalescapism.com. I've completed an overhaul of the way information is presented on the site, sorting content into tabs for easier access, making it much c ...   



Interview with Michael Chambers


Published 23rd Oct 2025

Find out what it takes to break into and survive in the Australian music industry

As a requirement of my TAFE course in music performance I have interviewed industry professional, Michael Chambers to share knowledge of what is important to get right when you're entering or survi ...   



Musescore has been emptying my bank account


Published 4th Sep 2025

Crazy charges from Musescore have cost me a fortune

Musescore is a website built for storing and sharing musical scores created with the free software of the same name. The software makers have no ties to the score-sharing site apart from sharin ...   



Government poised to betray creators in AI copyright grab


Published 30th Aug 2025

Tech bros want us to pay for their free lunch

The first notion I had that the music industry is about to be hit by a tidal wave with the potential to destroy livelihoods was when I logged into my music distributor dashboard after a long absen ...   



Going viral on TikTok and no idea why


Published 26th Jul 2025

A look at what happens when you go viral on TikTok

I've only recently gone back into doing my music. A couple of years into my composing efforts, I'd gotten distracted by other things. A few weeks ago I decided to check back into my distributor's das ...   



The Story Behind Bin Chicken Banter


Published 16th Jul 2025

The Bin Chicken is as Australian as Bluey. I wrote a piece to honour their place in Australian culture.

I recently released an album of brass band/ensemble pieces, including the track titled 'Bin Chicken Banter. Considering much of my audience is from outside Australia, I thought I should explain what a ...   



The story behind Antarctica


Published 10th Jul 2025

This blog post follows the story of my piece Antarctica from duet to chamber orchestra.

If you are at all familiar with my scores you may have noticed that there are usually several arrangements of the same piece. Writing for the general public chamber groups is very much a hit and mis ...   



A look at the benefits and questions raised by composition competitions


Published 30th Jun 2022

Composition competitions, are they worth it?

As a fledgling composer I have had the joy of experiencing many things for the first time over the past 18 months. One of those things is entering composition competitions. Not long after I beg ...   



How realistic orchestral tracks are made


Published 10th Aug 2021

A basic intro to how composers create realistic orchestral music without an orchestra.

Since I published this blog post, I have gone on to write and produce multiple tracks for orchestra as well as several commissions for chamber groups for members of the local Amateur Chamber Music ...